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Sunday, January 23, 2011

Couple's Counseling

Published in Exquisite Quartet



“Exquisite Quartet” is a collaboration of four writers who will put together a story, piece by piece. Each writer adds a bit more to the racy tale until, like an old beat-up sectional couch, it miraculously fits together. This story is a collaboration between writers Meg Tuite, Sheldon Lee Compton, Karen Stefano and Nancy Stohlman.


“Couple’s Counseling”

Vlasco and Darlene withered as lovers will do over time, but slowly like a cloud passes over the sun. Each partner found a separate, unspoken pastime to keep them somewhat lively and unencumbered as a couple. Vlasco had taken to internet porn sites in his locked office on Sunday nights after Darlene’s snoring was rhythmic and deep. Darlene greeted the dawn three times a week with Tyrone. Vlasco sometimes woke up before the sun, with a distinctive urge to pee, to a locked bathroom door and the vibrating regularity of that erectile, blue, larger than life Tyrone, who kept Darlene in a state of C battery abandon.

This was sufficient for a period of time, until Darlene decided it was no longer sufficient. She came back from a weekly luncheon with her friends loaded with a mission and a phone number to match. One phone call later and Vlasco found himself sitting on a couch next to Darlene, across from this psychologist, this man of letters, a brute of a man who held all the libidinous keys. Vlasco deflated before this professional muscle man framed by bookshelves, while Vlasco noticed how Darlene inflated. Her eyes blasted dams open and the couple’s non-coupling sexual activities became a typhoon of Vlasco’s inadequacies as a lover, a provider and a companion.

Vlasco cupped his crotch with sweaty palms holding on to whatever was left of his balls at these weekly meetings. A new tic discovered Vlasco’s left eye. He had to focus to keep it from twitching while Darlene and the doctor calmly discussed Vlasco’s depression, sometimes clutching his head in his hands to hold the eye taut. And it didn’t end at the counseling sessions. He drove home with Darlene reliving the doctor’s ludicrous responses like, “let the downpour begin” “sounds like a bunjee cord of a ride” or “good to get it out of the oven” yet she never opened her wallet to pay for this crap. No, Vlasco, the buffoon of a provider, had to slap down the $120 every week with Darlene gushing all over this crackerjack who probably laughed all the way to the bank.

But Vlasco kept with the $120 a week, the twitching eye, the literal and figurative reminder that was, in the flesh and inside his head, the psychologist, that man a whisper in his ear of being a lesser among lions. And he tried to stay away from those late night internet sessions, but when Darlene drifted, mumbling between her snoring words like “downpour” and “out of the oven,” Vlasco found himself again in the dark folds of his office with the computer screen a beacon of release.

To his credit, though, Vlasco searched for porn with actresses who looked like his Darlene, the Darlene of their beginnings – a softness in the eyes and across her hips, a mouth endlessly trimmed with lips always swollen, full, lush. Red hair like autumn leaves. And legs so long, and long, and, oh. Toenails painted red this day and a light purple the next. The videos, the pictures, slowly became memories that after a time were to him those moments of the Darlene he lost, allowed to slip away. In the darkness then, he found the courage.

Into bed, sliding across the sheets on hands and knees, eyes closed and focused on the Darlene of his beginnings, he felt Tyrone jutting into his knee, tucked in the bend of her back like the remains of a lover Vlasco never had the chance to see face to face. Tyrone in his spot, inside his woman. The psychologist would not whisper now, but roar into Vlasco’s ear. And that roar was a true lion. It could have been laughter or rage. Vlasco was unsure. But there was an old proverb he remembered from childhood, and he repeated it over and again to find sleep. Better to be a wounded lion than an impeccable flea. Better to be a wounded lion than an impeccable flea.

Vlasco whispered the words like a mantra, but sleep would not find him. He sat up again, knees folded under him, and knelt as if praying before Darlene. He rocked his torso back and forth, still whispering the words, a psalm, repeating them faster and faster until they mutated into a furious chant. “Better a wounded lion than impeccable flea, better lion than flea, lion not flea, not flea. I AM NOT A FLEA!” Vlasco looked between his legs at a manhood, big as a wildcat. Next to him, Tyrone sat there not daring to mock him anymore. Vlasco grabbed Tyrone by the neck and ejected the blue bastard from his lion’s den, cracking Tyrone’s throbbing head against the bedroom wall, spilling the C battery guts across the floor. Despite the violence and roars, Darlene still slept, snoring softly, unaware of Vlasco’s transformation.

Vlasco placed one arm on either side of Darlene’s head and lowered himself down to her neck. He extended his tongue and licked the length of her neck like an animal tasting a snack before devouring it. Darlene woke with a start and Vlasco saw his face reflected in her rabid eyes. It was the face of a feral cat. And before Darlene could blink, it happened. They were fucking again. Or was it called coupling? Vlasco took Darlene down, with all the porn queens from his computer screen forgotten. They did it all, like the days of yore. This was no mere “making love.” Vlasco sneered at those words as he thrust deeper, thinking back to the question posed by that sniveling fool of a shrink to his beloved Darlene, “How do you feel when you and Vlasco make love?” The quack had spoken these words like only a clinician could, sterilizing the act with his thin, warbling voice. The words amused Vlasco and he roared at the ceiling–a yell, or laugh, or growl–he didn’t know. It was no sound he’d ever made before.

Vlasco looked down into Darlene’s eyes. He could feel Darlene’s blue jewels penetrate him while he worked at penetrating her. They would climax in a chorus together like they used to, at the beginning, when they first met. Darlene had a distant look, far away, yet so close. Her lips parted for something? A rapturous kiss? To moan like a conquered lioness? To scream out his name? Her mouth opened wider and he interrupted with, “I’m going to–I’m going to…!!!” And just before he hit the mark, Vlasco looked down into that beautiful mouth in time to see it complete a YAWN?

And then it happened. Abandoned by the Darlene of his youth and God himself, raw rage pulsed through Vlasco. Darlene’s face became scruffy and her eyes were just smudged glass. Vlasco heard that psychologist’s annoying voice as Vlasco pounded away, “letting the flood down”, “letting it all out of the oven.” Oh, hell yes, it was all out of the oven now, and Vladdy boy was finally giving Mr. Something-up-his-ass the whooping he so deserved. It culminated in a downpour of therapeutic proportions. And then it became limp. A sea cucumber between his legs.

At their next appointment Darlene didn’t even sit next to Vlasco, instead choosing the crushed green velour chair. She picked at lint on the arm handle and started to cry as she described the “particularly violent” sexual episode that had transpired between them. The therapist nodded in a concerned, eyebrow-knitted rhythm. It was a call-and-response chorus of “hmmms” and “I sees.” Vlasco sat alone on the white leather couch with the eternal jellyfish between his legs, and wondered if he should have just punched the guy in the mouth months ago.

The psychologist looked at Darlene’s sniveling face and handed her a Kleenex. He glanced over at the clock and Vlasco knew what that meant. Vlasco took his hand off his balls and pulled out his checkbook.

***

This month’s contributors to Exquisite Quartet are:

Sheldon Lee Compton, whose work has appeared in more than 100 journals and anthologies including Ramshackle Review, BLIP, Emprise Review and, most recently, the short story collection Degrees of Elevation: Short Stories of Contemporary Appalachia. He edits the online journal A-Minor and can also be found here. He lives in Eastern Kentucky.

Nancy Stohlman, author of Searching for Suzi and The Mix Tape: A Collection of Flash Fiction. You can find her here and here.

Karen Stefano, whose short fiction has appeared in the literary journals Ellipsis and The South Carolina Review. Other stories are forthcoming in The Santa Fe Literary Review, Iconoclast and PilotPocket. Her book, Before Hitting Send: Power Writing Skills For Real Estate Agents will be published later this year. She lives in San Diego, where she practices law and struggles constantly to find enough time to write.

Meg Tuite, whose writing has appeared or is forthcoming in over 40 magazines and journals including 34th Parallel, One, the Journal, Sententia Magazine and SLAB Magazine. She is the fiction editor of The Santa Fe Literary Review and Connotation Press: An Online Artifact. Her fiction collection “Domestic Apparition” is forthcoming in early 2011 through San Francisco Bay Press. She can be found here.

Saturday, December 25, 2010

What I Mean When I Say I Love You

Published in Cliterature, APPETITE edition

1. Endorphins are the natural opiates the body produces to protect us from pain. Touching secretes endorphins. We crave the emotional nutrition that comes from touch, just like a vitamin. Without it we develop a form of emotional scurvy.

2. Oxytocin is a peptide that spikes when someone touches you. If you spend time in that person’s presence, oxytocin will surge just at the thought of him or her.

3. Which means I have acute skin hunger for you, like malnutrition.

4. Phenylethylamine (PEA) is a natural form of amphetamine that we produce when we “fall in love”. Conversely, the love-struck soul gets acutely lovesick when romance ends, similar to amphetamine withdrawal.

5. PEA creates the limerance that consumes lovers. Occasionally, high levels of PEA have been found in states of mania and schizophrenia.

6. So when I say I’m crazy about you, I probably am.

7. Dehydroepiandrosterone (DHEA) produces the pheromones that emit our scent through the skin. We each have a unique smell print. When we move around we leave a cloud of scent molecules behind.

8. Estrogen governs a woman’s receptive sex drive and makes her acquiescent.

9. So when I arch my back to you it’s called “presenting”, just like a bitch in heat.

10. Seratonin cools your sex drive. At high levels serotonin has a sensitive side, with a peaceful nature. That’s why Prozac makes people feel so good—it boosts your serotonin. It also takes away your sex drive and delays your orgasms. Low serotonin levels make you want it—now. Gotta get happy. Now.

11. Dopamine is a neurotransmitter best known for giving us pleasure. Dopamine is the common denominator of most, if not all, addictions.

12. So when I say I love you, what I mean is that I’m really addicted to the chemical rush I associate with you.

13. When I met you, DHEA increased in my brain and seeped through my skin, sending and receiving signals into the atmosphere. PEA made me feel giddy and high. Oxytocin rushed when you touched my arm. Dopamine pulsed in anticipation of what you might feel like, taste like. When we touched, oxytocin and endorphins soothed me, made me like it. Made me associate you with pleasure. Serotonin dropped. Estrogen made me arch my back. Oxytocin and estrogen demanded penetration. Just before orgasm and ejaculation, oxytocin levels in both our bodies spiked three to five times higher than usual.

14. When it was all over, when I was flooded with PEA and dopamine and you were drunk in your post-coital oxytocin coma, I realized that I loved you.

*Some text incorporated from the book The Alchemy of Love and Lust by Theresa L. Crenshaw

Monday, November 08, 2010

"Love Letter to the National Library of Poetry"

Published in Monkey Puzzle Magazine, Issue #10: click here

Dear National Library of Poetry,

It is my pleasure to inform you that, after reviewing the details of my life since I first received your glowing acceptance letter in 1995, it has been determined that you are directly responsible for the publication of my recent novel.

My poem of “rare talent” you must remember well, the one without a title that began with the very original “I lie my curls on a bed of red roses,” the one you published in a hardback anthology called Between the Raindrops. I have to officially apologize for not buying the anthology at the time, I just couldn’t afford the $50 working as a Ruby Tuesday’s waitress, but I vowed to someday go to D.C. in person instead and see my work displayed.

“You should be genuinely proud of your accomplishment” your acceptance letter told me. “We receive thousands of poems each year and we choose only a very few for publication.”

And just like that I was a published author.

Had I never received your letter back in 1995, I might never have completed that first notebook, each poem growing less tentative. And if I hadn’t finished multiple notebooks, I might never have started calling myself a writer—in fact, I might never have gone to Colorado at all. And if I hadn’t gone west, I might never have gone to those coffeehouses where people wearing berets read poetry worse than mine. I might not have decided to go back to school, which means I might never have written “The Phantom of the Waffle House,” my first short story and the earner of my first official form rejection slip. And if I hadn’t started writing stories and submitting my work for publication, I might never have tried to write my first shitty novel. Or my second shitty novel, or my third slightly less shitty novel. In fact, I might never have written a decent word.

And so you see, the National Library of Poetry is directly responsible for my recent success.

You might be wondering if I ever did make it to D.C. to see my work in person? Yes, several years ago I finally went on the pilgrimage to see my work at the National Library of Poetry. I imagined the National Library’s domed ceilings where doves fluttered across beams of sunlight. I imagined Between the Raindrops as a thick, weighty book and my name in golden scroll.

I went through the metal detectors and proudly approached the information desk:

I’m looking for my poem.

Who’s the publisher?

I pulled out the old, yellowed acceptance letters with the glossy fonts.

Oh, the National Library of Poetry, she said, distain hanging from the final syllables. That’s a commercial library.

What do you mean?

I mean it’s not part of the National Library of Congress. It’s in Silver Springs, Maryland.

National Library of Poetry—you swindler, I had thought all this time that I was special; you really convinced me that I had rare talent. But you say that to all of us, don’t you? I guess I’m the one to blame, I offered up a shitty poem to the Great God of Vanity Publishing, and it was taken with the option to purchase the hardback for $50.

But, really, I can’t thank you enough. Sending you that terrible poem was the most important decision I ever made. Who doesn’t want a letter in the mail saying “congratulations. You should be genuinely proud of your accomplishment. We receive thousands of poems each year and we choose only a very few for publication. It is our pleasure to publish fine poems such as yours in our anthologies.” That your praise was contrived and formulaic made no difference in the end. And later, when I realized the truth, it could no longer crush me.

My most sincere thanks,
Nancy Stohlman

P.S. National Library of Poetry, seeing how your publication of my first poem was so crucial in my trajectory of becoming a writer, I would like to offer you the opportunity to own a signed copy of my novel, Searching for Suzi. Let me make one thing clear . . . I am selecting you as a receiver of my signed novel solely on the basis of merit. You are under no obligation to make any purchase of any kind. Of course, many people do wish to own a copy of the publication that they have had such a hand in bringing to fruition. If this is the case, I welcome your order—and guarantee your satisfaction. If you wish to own a signed copy of Searching for Suzi at my special gratitude price, please complete the enclosed order form.

Monday, October 25, 2010

"The Bargain: A Fairy Tale"

Published in Dinosaur Bees, Issue #1

THERE WAS ONCE a poet who stole stories. “I’m going to steal that story,” she always warned right before the theft occurred. The original owner of the story laughed. The poet laughed, I’m serious, she said, and they continued to laugh while ribbons of imagery and narrative wriggled free of its owner and wrapped around the imagination of the poet, transferred permanently to her, where she would eventually twist and torment it until it was not even recognizable.

By the time the mistake became obvious it was too late…the story had already changed hands. And yet most owners gave their stories willingly, wanted to feel that their story was worth taking.

Now, as often happens in fairy tales, there was an angel who was in love with this poet. He said to her: I’ve been watching you. I can show you the kind of story most poets would kill themselves for. But you can never write about it.

The poet, in love with this idea of herself as a poet, agreed.

The poet and the angel came together like two beams of light. They rolled through sand, water, jungles, deserts, summer, spring, fall, winter, orange sunsets, perfect pink sunrises, the angel flooded the poet until she leaked couplets.

When the angel kissed the poet goodbye, he reminded her of the bargain.

Her breasts grew, the skin stretching into pink rubbery spiderwebs. Then her stomach. Oil glossed her hair, left a marmalade sheen across her cheeks. Lying in bed watching the weak sun slant through heavy blinds, the poet felt the quickening and heard the angel’s voice:

“It is my story inside of you. But you can never write about it. You made a bargain.”

The story she could not write grew stronger because she could not write it. It was swelling, transforming, shining behind her eyes the way secrets do. She ate cottage cheese, spinach, eggs. She ate raw liver with bare fingers.

Soon the poet couldn’t write anything because every story was touched by the unborn story. Now she didn’t care what happened to the angel, the bargain seemed cruel, unnecessary. Once a story has been conceived it can’t be aborted. She had to write it.

It was on that day that the pains started. Her water exploded in a gush of warmth. The muse urged her to push, feeling for the head of the story. She fed the poet grapes and yogurt and cheese and tea and sang to her through each wave, screamed with her as the pain crested and then subsided. The poet writhed and expelled the story she was not allowed to write—the church in Armenia and the genocide and the orphanage and the opera and Sagrada Familia and the misty form of a monster disguised as an angel and the house in Mexico City and the baby grand piano with no varnish—all these images emerged from her piece by piece and attempted to arrange themselves on the page.

But the poet had waited too long. She had allowed the story to over gestate… It was now rotted, bloated with decay. Large chunks dropped from her, overripe chunks that left a strong odor. The poet birthed the stillborn mess and cut the umbilical cord.

The story was gone. Amidst the blood and tissue, she saw perfectly formed sentences, little conjunctions, baby down verbs, a sunrise pooling there, on the floor.

Wednesday, September 29, 2010

Upcoming Events!


From the Fast Forward Denver Release, September 24, 2010

Check out some of these cool upcoming events in Denver and Boulder!

BOULDER
Wednesday, October 20, 7:30-9:00 pm
Snap Shot: Writers and Poets Respond to Photography
Dana Elkun and Rhada Marcum, poets; Nancy Stohlman and Shane Oshetski, fiction.
After their readings, we'll have a reader/audience conversation.
Wild Sage Community House
1650 Zamia Avenue
Boulder, 80304

DENVER
Friday, October 22, 8-10 pm
“Size Matters” Flash Reading Series featuring Teresa Milbrodt
(followed by open mic)
Bardo’s Coffeeshop
238 South Broadway
Denver, CO 80209
(303) 629-8331
www.bardocoffee.com

Friday, November 19, 8-10 pm
“Size Matters” Flash Reading Series featuring Rob Geisen
(followed by open mic)
Bardo’s Coffeeshop
238 South Broadway
Denver, CO 80209
(303) 629-8331
www.bardocoffee.com

Wednesday, August 18, 2010

SPD Recommends Suzi and other cool upcoming events!

Small Press Distribution has now put Searching for Suzi on its recommended reading list! Pass this email along, order your Christmas copies (wink) and have your cool local bookstore stock it on the shelves. For those of you who don't know what a distributor does, their job is to get the beautiful books made by the publisher onto the shelves of the bookstores, so this is a really big deal. Click and scroll down to see Suzi:


Be on the lookout for some of my latest stories forthcoming in the Santa Fe Literary Review and Dinosaur Bees, among others. And be sure to become a fan of Searching for Suzi and Fast Forward on Facebook!


UPCOMING EVENTS

Denver Reading and Release Party for Fast Forward: The Mix Tape

Friday, September 24,
7 pm
The Mercury Cafe
2199 California Street
303-294-9258
www.mercurycafe.com


From the New York City Fast Forward Release Party


From a review of The Mix Tape:


“The microstories range from high comedy to sensitive melodrama, to bizarre animals, funerals, Holocaust, teen pregnancies, religion - almost every imaginable topic is surveyed with astonishingly fine writing. Some of the stand out works include a brief look at an encounter with possible love angles that ends unexpectedly by Felix Calvino ('In the Park'), several stories from Nancy Stohlman ('Clowning for Jesus' is bound to become a classic) whose flirtations with being naughty ('Donny and Marie Osmond Barbie') vie with those of Kona Morris ('Confession #3', 'Going Back') or stories by Sophie Rosenblum ('A Terrier's Limits' et al). To have the luxury to savor such creativity within the covers of one book is a feast. Let's hope these 'Fast Forwards' continue! Editors K. Scott Forman, Kona Morris, and Nancy Stohlman have done a superb job in arresting the talents of many terrific writers.” Grady Harp

Order yours now! Click here for Amazon


UPCOMING CREATIVE WRITING WORKSHOPS WITH NANCY


Writing the Long and Short of Fiction: A Two-Part Event

Part One: Size Doesn't Matter: Writing Flash Fiction
October 14, 4-6 pm
Join Flash Fiction writer Nancy Stohlman for a workshop on flash fiction writing
$5 for students and nonstudents. Contact writerstudio@arapahoe.edu for RSVP by Oct 12


Part II: Size Does Matter: Writing the Novel
Oct. 25 from 4 p.m.-6 p.m.
Join Novelist William Haywood Henderson for a workshop on writing the novel
$5 for students and nonstudents. Contact writerstudio@arapahoe.edu for RSVP by Oct 20



Get Back on the Page: Connecting to Your Inner Writer

Colorado Free University

Do you feel the call to write, but struggle to find the time or focus to get the thoughts in your mind into print? The first step in meeting and/or reconnecting to the writer inside of you is to dust yourself off and get back on the page! In a supportive workshop environment, you can get the momentum going again and see the world through the eyes of a writer. All ages and skill levels are welcome, and while this will mostly focus on prose writing, poets are welcome, too. Come with an empty journal and an open mind and be ready to give and receive constructive feedback. Nancy Stohlman is the author of the novel Searching for Suzi: a flash novel and the co-founder and editor of the annual Fast Forward: A Collection of Flash Fiction. She has been teaching writing for almost a decade.

Price: $177 Non-Member $165 Member $5 materials fee payable in class
Class # Class Dates Area of town

2084E
Six Wed., 6:30-8:30 p.m. Begins 8/25 CFU LOWRY: Near 1st & Quebec

2084F
Six Wed., 6:30-8:30 p.m. Begins 10/6 CFU LOWRY: Near 1st & Quebec


To Register (click and scroll down):



And most of all, thank you all so much for your continued support!

Nancy

Monday, July 19, 2010

Creative Writing Classes with Nancy Stohlman

To Register, click here and scroll down:

Get Back on the Page: Connecting to Your Inner Writer

Do you feel the call to write, but struggle to find the time or focus to get the thoughts in your mind into print? The first step in meeting and/or reconnecting to the writer inside of you is to dust yourself off and get back on the page! In a supportive workshop environment, you can get the momentum going again and see the world through the eyes of a writer. All ages and skill levels are welcome, and while this will mostly focus on prose writing, poets are welcome, too. Come with an empty journal and an open mind and be ready to give and receive constructive feedback. Nancy Stohlman is the author of the novel Searching for Suzi: a flash novel and the co-founder and editor of the annual Fast Forward: A Collection of Flash Fiction. She has been teaching writing for almost a decade.

Price: $177 Non-Member $165 Member $5 materials fee payable in class
Class # Class Dates Area of town

2084E
Six Wed., 6:30-8:30 p.m. Begins 8/25 CFU LOWRY: Near 1st & Quebec

2084F
Six Wed., 6:30-8:30 p.m. Begins 10/6 CFU LOWRY: Near 1st & Quebec